HENRY VIII, holograms... and all that...        

At Hever Castle in Kent, among the various artefacts and historical exhibits, is a letter written by Sir Thomas Boleyn, father of the ill-fated Anne, addressed to Margaret of Austria (the consort of the French King Francis). Anne was then a Lady-in-waiting to Margaret at the French court, and Sir Thomas requested the return of his daughter to the English court of Henry VIII. As it is both common knowledge and historical fact that Anne was Henry’s mistress in 1527, this letter was written in the first quarter of the 1500s.  The missive begins ... “ This is a hologram...”

Sir Thomas chose a word, which gave a precise definition of the letter contents to follow...a true, exact picture of facts in their entirety, the whole picture. A few centuries later the word was coined to describe the reconstruction with a light source, of an exact complete three-dimensional image, the whole picture in its entirety.

The Stereoscope was the first three dimensional image but it was, and is, an illusion of perspective created by the brain’s perception of visual focusing aided by corrective glasses or simply by crossing the eyes (not everyone has this ability!)

   
Dennis Gabor made the first ‘real’ 3D image, or hologram, in 1948. Like most discoveries it was an accident, Gabor was actually trying to improve the efficiency of microscopy - which, incidentally, he failed to do. It was generally acknowledged as a great invention but without a future, so put on the “back burner” until the invention of the pulsed ruby laser, which was built by Theodore Maiman in 1961 and gave a source of almost pure light.

David Pizzanelli took us through the sequence of events from launch, progress and development of the Hologram to the present day - and new technology.     

Holography actually has unique applications in industry: quality control; non-destructive testing; particle physics; aerodynamics; vibration analysis; air pollution; medical measurement analysis and diagnosis; archiving - to name but a few.

In Art, holography is not only a medium for subjective creativity but also for art restoration and exhibitions. At the excellent ‘Art and Science of the Soviet Union’ exhibition in the ‘80s, staged in London, USA and mainland Europe, the exhibition comprised holograms of artefacts, never seen before outside the USSR, too precious to be taken on a world tour.  
            
In Design the hologram is becoming an integral part of the presentation or sales pitch. A three dimensional visual of a building, shopping centre - town planning in general or domestic interior design, furniture, kitchen appliances, garden landscaping and dress or fashion design. These are produced digitally and are holograms in the sense that they have parallax in all directions - but they are not made using holography. When I discuss marketing this subject will be expanded.

Agfa-Gevaert, Ilford, HRT and Slavich have produced holographic film and/or plates in the past, with the exception of Slavich, none of these companies now manufactures holographic materials. Currently the only commercial manufacturer of high quality holographic emulsions is Slavich, they have been established producers for many years. Geola uab, international wholesalers for Slavich film and plates, in turn, have their distributors worldwide. HMD are the distributors for U.K. and Eire. Holographic Recording Technologies (HRT), manufacturers of holographic plates, unfortunately, ceased to trade in December ‘99.


There are four or five companies in France; East Germany; Japan; Canada/China endeavouring to develop suitable emulsions for holographic use but to date their products have not been accredited and are not available for commercial distribution.

Independent holographers, especially those who wish to become or continue to be artists in this medium, grouse about the price of film and plates. Their purchases are erratic and minimal. What they fail to appreciate is that, while HMD imports the material, which is classified as a consumable product because it has a shelf life, HMD is a business not a social service or charity and there is an accounting term called cash flow. The holography market is (quoting a representative from Agfa before they ceased production) tantamount to a piss in the ocean regarding emulsion-coating sales. HMD took on this area of import despite the total disinterest of supposed holographers who chose not to reply to the questionnaire that was circulated in ‘96.


HMD needs information of possible requirements, so that suitable stock levels can be maintained. HMD is in the process of ‘resurrecting’ an emulsion suitable for use with ruby lasers. We are in negotiations with two companies but neither will agree to test an emulsion until they can be given a forecast of possible uptake. Therefore anyone who has a requirement for this product, however small, please let me (Amanda) know so that we will be able to ascertain that the ‘en mass’ order is a viable project.

However, digitalisation is the way forward... but to reproduce a digital image you must have a computer and an operator. IBM and Mac are still at odds... incompatible. You, therefore, need the correct software and again an operator. The information given to the computer is reliant on human input, which is not infallible. The image may be manipulated to show different views/angles and give the stereoscopic illusion of depth - but...  A hologram made holographically is the complete real picture in three dimensions, unadulterated by possible human error - it is true virtual reality.

The real dissertation begins now... Marketing.

Being over half a hundred and a Daily Mail reader I enjoyed the weekend features covering the decades (five in all) re: the reign of Queen Elizabeth II. However, I was angry and frustrated when I read the piece devoted to the 60s... I quote... “Giant leaps for mankind: Non-stick pans, computers, barcodes, disposable nappies.” “Lasers were invented, first as near-mystical devices for slicing through metal and doing things to James Bond; now as universal components in every CD player and barcode reader, too unexciting to comment upon. Holograms followed and seemed like magic; today we don’t even bother to look at the shiny, floating 3-D images that act as security tags on credit cards”...unquote.

What this uninformed person had written was true - the public, or rather almost everyone who is not a holographer, do not know what a hologram is. They really do believe that a hologram is a colourful card you get free in your cornflake packet, or the security square on  ‘the plastic’. Neither of these images is a hologram. Unfortunately, when the embossed image was taken up by enthusiastic agencies and their clients as the latest promotional give-away they called it a ‘hologram’ and regrettably no-one appears to have pointed out to them that this is not so. In my experience people also refer to a lenticular image as a ‘hologram’.

A hologram has parallax in all directions - up, down, side-to-side and round about. A lenticular image and an embossed image both have parallax in two directions, vertical or horizontal. Is it perhaps time to clarify the differences? As the word hologram is popularly associated to an image with two-directional parallax, should we not consider re-launching the real hologram with a new name?
A suitable analogy, I believe, is the vacuum cleaner - universally known as the hoover!
It is listed in the Oxford Dictionary and has also been absorbed into language  (not just ‘English-roots’ language) as a verb - to hoover. No other brand named vacuum cleaner holds this status. Possibly, Dyson might achieve the equivalent as a noun but to dyson does not have the same ring as to hoover.     

Real holograms have never been marketed, the mysticism and alleged complexities and problems regarding stability and imaging procedures has virtually killed a wonderful innovative hybrid. Although considerable specialist knowledge is required to understand the science involved in holography it is not difficult to understand the processes in making a hologram.

A hologram, whether holographic or digital cannot be marketed in 2D, brochures and photographs only do them disfavour as the images are blurred and unrealistic - they look like very bad photographs! It is up to the individual holographer to select venues, and naturally there will be no money in it for you - initially - but try: restaurants, trade exhibitions, shopping precincts, reception areas i.e. car dealers, casino/night clubs etc… The only way to promote holography is to exhibit.